The MIDAS PRO Series has become established as the industry standard on live concert tours and the road-proven PRO9 featuring 88 simultaneous input channels and 35 time-aligned and phase-coherent mix buses, shares the familiarity of a common user interface and workflow with PRO3 and PRO6. Like all PRO Series consoles, the PRO9 features managed latency and 40 bit floating point processing precision. PRO9 sets the standard of performance in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability.
HyperMAC and AES50 audio networking technologies allow the PRO9 to dynamically assign up to 288 inputs and 294 outputs at 96 kHz sampling rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO9 equally at home in theatres and symphony halls as it is in live concert touring, outside broadcast and music festivals.